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  • #2026 events #Concert Season

    Clerici_Leong

    Saturday 7 February 2026
    Figline (FI), Teatro Garibaldi
    Saturday 7 February 2026 h. 9:00 p.m.
    UMBERTO CLERICI conductor
    KERSON LEONG violin
    Orchestra della Toscana
    Ludwig van Beethoven / Concerto for violin and orchestra, Op. 61
    Franz Schubert / Symphony No. 3 D 200
    Tickets
    STALSS:
    Full price €12.00;
    Concessions €10.00;
    Regional Student Card €8.00

    BOXES:
    Full price €10.00;
    Concessions €8.00;
    Regional Student Card €8.00

    Tickets can be purchased online at www.teatrogaribaldi.org (full price only + booking fee), at Boxoffice Toscana sales points (+ booking fee), and at the theatre box office in the three days prior to the performance from 9:30 a.m. to 12:30 p.m. and from 4:00 p.m. to 7:00 p.m.
    Info: Garibaldi Theatre Box Office (Piazza Serristori, 12)
    tel.
    +39 055 952433 - 9125247
    teatrogaribaldi@comunefiv.it

    The program offers a dialogue between two souls of nineteenth-century music: on the one hand, the classical structure that opens up new perspectives; on the other, the energy of a young composer who reworks the past with freshness. The concert opens with Ludwig van Beethoven’s Concerto in D major for violin and orchestra, Op. 61, composed in 1806: a masterpiece that combines formal balance, cantabile, and moments of intense expressiveness.

    The concert, which will also be presented at the Teatro Garibaldi in Figline, features violinist Kerson Leong, a Canadian performer appreciated for his absolute control of the bow, deep sound, and clarity of phrasing.

    Conducting is Umberto Clerici, former principal cellist of the Sydney Symphony Orchestra and current principal conductor of the Queensland Symphony. Clerici is a musician attentive to form and narrative, capable of combining precision and natural gestures.

    The concert will close with Franz Schubert’s Symphony No. 3 in D major, D 200, composed when he was only eighteen: a brilliant, lively piece, balancing Haydn’s spirit with the first unmistakable traits of his own voice. A light and lively finale.

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